I built an experiment that breaks a script into scenes, reviews visual-effects complexity, and asks a producer to approve the planning package.
I applied the same assistant pattern used in my security-triage project to film planning. It breaks down scenes, reviews visual-effects complexity, and proposes casting types. A producer must approve the package before it is locked.
I explored how an assistant can prepare a plan while leaving the final decision with a producer.
I reused the assistant pattern from my security-triage experiment for a different task: film planning.
A full pre-production pass on a neo-noir script — the agent breaks it into scenes, scores VFX complexity, and curates casting archetypes, then stops at the producer-approval gate before the package locks.
Recorded from a live run against Gemini 2.5 Flash — the palette re-tints to the script's tone, and the pass ends at the producer-approval gate. Or run it yourself — open the live demo →
The work a pre-production coordinator does on a first pass, broken into four tools the agent chains in sequence.
A ReAct loop: the agent thinks, calls one tool, reads the result, and repeats — narrating each step into a live thinking log. Before it locks anything, it stops for the producer.
Tone: neo-noir · 3 scenes. Locations: Neon Harbor Docks, Harbor Rooftop, Precinct.
VFX-heavy — peak complexity 10; specialist vendor recommended. Casting: MARA — weathered investigator; REYES — institutional authority. Package locked after producer approval.
The agent ran four tool calls to produce that package. The interface re-tints to the detected tone — a mood board that reads the script back to you.
A creative tool still commits work that costs money. Three decisions keep the producer in command.